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'''Anesa hanafy''' : is a movie , starring by Ismail Yaseen , directed by Fatin Abdelwahab |
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{{Infobox film |
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| name = Miss Hanafi |
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| image = |
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| alt = |
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| caption = |
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| film name = [[Arabic]]: El anesa Hanafy |
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| director = [[Fatin Abdel Wahab]] |
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| producer = [[Galil al-Bendari]] |
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| writer = Galil al-Bendari |
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| screenplay = |
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| story = |
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| based on = <!-- {{based on |[title of the original work] |[writer of the original work]}} --> |
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| starring = {{ubl|[[Ismail Yasseen]]|[[Omar El-Hariri]]}} |
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| narrator = <!-- or: | narrators = --> |
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| music = |
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| cinematography = Robert Tamba |
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| editing = |
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| studio = <!-- or: | production companies = --> |
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| distributor = <!-- or: | distributors = --> |
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| released = 1954 <!-- {{film date |year|month|day|location}} --> ([[Egypt]]) |
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| runtime = 93 minutes |
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| country = Egypt |
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| language = Arabic |
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| budget = |
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| gross = <!--(please use condensed and rounded values, e.g. "£11.6 million" not "£11,586,221")--> |
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}} |
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'''''Miss Hanafi''''' ([[Arabic language]]: ''El anesa Hanafy'') is a 1954 Egyptian [[comedy film]] written and produced by [[Galil al-Bendari]] and directed by [[Fatin Abdel Wahab]] about a man who goes through a accidental [[transgender|sex change]].<ref name="book 3">{{cite book|last1=Boraïe|first1=Sherif|title=Title سنوات الذهبية في السينما المصرية: سينما كايرو، ١٩٣٦-١٩٦٧|year=2008|publisher=American University in Cairo|isbn=9774161734|url=https://books.google.com/books?id=ujaXQHha5Z8C&pg=RA11-PA1954&dq=%22Miss+Hanafi%22&hl=en&sa=X&ei=eVrXVMnlC5HZoATxiICgBQ&ved=0CB8Q6AEwAA#v=onepage&q=%22Miss%20Hanafi%22&f=false|accessdate=8 February 2015}}</ref> Starring by [[Ismail Yaseen]] and [[Omar El-Hariri]], the film is based upon an actual 1947 news article about a woman-to-man instance but with the gender switch reversed to be man-to-woman for comedy effect.<ref name="Mada Masr"/><ref name="book 1">{{cite book|last1=Oliver Leaman|title=Companion Encyclopaedia of Middle Eastern and North African Film|year=2003|publisher=Routledge|isbn=1134662521|pages=51-54, 87|url=https://books.google.com/books?id=LmSFAgAAQBAJ&pg=PA87&lpg=PA87&dq=%22Miss+Hanafi%22+%28film%29&source=bl&ots=1_cBDht8s0&sig=DVpBU5b4CaZDLm28M7UEZKb0Zcw&hl=en&sa=X&ei=f1DXVMD9PJC5ogSN9oFo&ved=0CEQQ6AEwBg#v=snippet&q=%22Miss%20Hanafi%22&f=false|accessdate=8 February 2015}}</ref> |
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here are the scenes of the movie by the eye of a cinematographer : |
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''Miss Hanafi'' is listed among the most important 100 films in the history of Egyptian cinema.<ref name="Al-Ahram Weekly"/> In his book ''Dream Makers on the Nile'', author Mustafa Darwish called it Ismail Yasseen's "most famous and funniest film".<ref name="book 2">{{cite book|last1=Darwish, Mustafa]]|title=Dream Makers on the Nile: A Portrait of Egyptian Cinema|year=1998|publisher=American University in Cairo|isbn=977424429X|pages=21|url=https://books.google.com/books?id=GwBlAAAAMAAJ&q=%22Miss+Hanafi%22+%28film%29&dq=%22Miss+Hanafi%22+%28film%29&hl=en&sa=X&ei=j1jXVNC5KsnSoASm6YHgCg&ved=0CDoQ6AEwBQ}}</ref> |
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-Opening shot -Location view , wide shot |
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-Showing the environment of the main characters (a local environment ) so Fatin can get the viewer into the surroundings of the main characters and into their own world. |
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==Plot== |
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-Medium close-up and followed by Close shot on Hanafy when he walks in – shows his serious facial expressions revealing his demanding, controlling personality. |
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Working class Hassan ([[Omar al-Hariri]]) and the rich Hanafi are rivals for Nawaeim's ([[Affaf Kamel Elsabahy|Magda]]) love. Going to the hospital to be treated for a horrible wedding night stomach pain, Hanafi receives an accidental sex change operation. After months of recuperation, he tries to pick up the pieces of his life as an unattractive, mannish woman named Fifi. She becomes the opposite of Hanafi. Where he was brusque, she is flirtatious. |
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==Cast== |
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-Medium close shot on Nawa3m and Fola to show their facial expression , how they reject that kind of treatment and behavior |
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* [[Ismail Yasseen]] as Hanafi / Fifi |
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* [[Omar El-Hariri]] as Hassan |
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* [[Affaf Kamel Elsabahy|Magda]] as Nawaem |
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* [[Wedad Hamdy]] as Zakia |
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* [[Suleiman Naguib]] as Hassona |
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* [[Abdel Fatah Al Kasri]] |
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* [[Zeinat Sedki]] |
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==Reception== |
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-Then dialogue between Hanafy and Nawa3m shows conflict , sharp discussion , rough treatment , shows that these two have different point of views in work , life style and education |
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''[[Mada Masr]]'' praised the film, calling it one of Egypt's cinematic gems. The expanded that the film "breaks every social norm and cinematic cliché of its time. Boy loves girl, boy chases girl, boy sings about girl’s beautiful eyes, and finally boy marries girl. But in ''Miss Hanafi'' the boy is the girl! And he/she chooses celibacy and scolds those who chose to marry."<ref name="Mada Masr"/> They also explained that while other films of the 50's might have had story lines where the men dressed as women, this one was "unusual in its progressive questioning around gender because it is very early, very funny, not particularly political, and it’s set in a working-class neighborhood."<ref name="Mada Masr">{{cite news|last1=Amany Ali Shawky|title=Egypt's cinematic gems: Miss Hanafi|url=http://www.madamasr.com/sections/culture/egypts-cinematic-gems-miss-hanafi|accessdate=9 February 2015|publisher=[[Mada Masr]]|date=11 October 2014}}</ref> |
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The Al-Hanager Arts Centre in [[Cairo]] celebrated the work of director Fettin Abdel-Wahab as part of the 2007 Egyptian Centennials exhibition, noting him as a pioneer of the social comedy school of Egyptian cinema, and his film ''Miss Hanfi'' as among the most frequently watched and influential.<ref name="Ahram Online">{{cite news|last1=Hesham|first1=Soha|title=The five musketeers|url=http://weekly.ahram.org.eg/News/5025/23/The-five-musketeers.aspx|accessdate=8 February 2015|publisher=[[Ahram Online]]|date=4 January 2014}}</ref> |
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-Full shot on el Me3alem , shows his level , cloths and environment , then it’s clear that he cant take any sides and he’s always like : “ Ma32ouuul” |
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In 2006, ''Miss Hanafi'' was determined by [[Bibliotheca Alexandrina]] as one of the most important 100 films in the history of Egyptian cinema.<ref name="Al-Ahram Weekly">{{cite news|last1=Hesham|first1=Soha|title=The top 100|url=http://weekly.ahram.org.eg/2007/836/cu4.htm|accessdate=8 February 2015|publisher=[[Al-Ahram Weekly]]|date=15 March 2007}}</ref> |
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-The phrase : “ana Toul 3omry kida Gad – 7aamy – 7emsh – berrrerr” shows how Hanafy is proud of what he is and his character and he’s trying to make everyone follow him. |
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==References== |
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-“El mar2a dlwa2ty leha nafs 7e2ou2 el regala “ a clear phrase from Fola shows how educated is the women at that time and how this was a huge change from powerless women who have no rights at all to the women who claim her right as equal as the man. |
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{{reflist|2}} |
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==External links== |
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-Ta7ya now searching for Abou saree3 and el Me3alem keeping him secretly hidden. |
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* [http://www.imdb.com/title/tt0317080 ''Miss Hanafi''] at the [[Internet Movie Database]] |
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{{DEFAULTSORT:Miss Hanafi}} |
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-That scene of Hanafy when he’s pretending to be strong and fine in front of Nawe3m and hurting like hell when he’s out of her sight shows that he’s not as strong and heartless as he seems. |
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[[Category:1954 films]] |
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[[Category:Egyptian films]] |
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-Hasouna beh and he’s famous sentence : AHHH lw kont 5adt el wasl |
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[[Category:Arabic-language films]] |
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[[Category:Comedy films]] |
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-the women who reads cards and how influenced is Fola with her visions shows the mentality and the education level – she wrongly understand her visions or she gets it in the meaning she wants , not the real meaning of the vision. |
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[[Category:Black and white films]] |
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[[Category:LGBT-related films]] |
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-The secret meeting between Hasan and Nawe3m and the hidden meaning in their dialogue which refers to their situation . |
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[[Category:Romantic comedy films]] |
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-Fola and el Me3lam trying to persuasive Hanafy to marry Nawe3m and he only agrees for the money and the heritage. |
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-A Medium close shot showing Hanfy crying about his marriage things showing how deeply sad he is , and that he doesn’t want to marry anyone at that time specially Nawe3m because he loves her like his sister. |
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-The dancing show , was at it time a must in every Arabic movie to show the Egyptian belly dancing and the folklore . |
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-Hasouna beh talking about el Bahaweya it describes how everything can be better and work out in a perfect way if you are a beh , description of how Egypt back then was ruled and that power leads to money while he’s talking he’s on Wide close up to get his expression , at the same time the camera changes between the 3 of them through out the dialogue to show their reactions and facial expression. |
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-Full shot showing the back of Hassan and the facial expression of Nawe3m then it turns to Wide close up when they started to talk to get the viewer exactly what they feel. |
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-The scene of Ta7ya and Abou seree3 a Mediun close shot shows how happy Ta7ya is and how human can forget about any emotional feeling and his actions are lead only by the desire of having money as she’s taking her husband to jail only to get her money. |
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-Next scene shows that Hanfy have that good and soft side inside of him as he helps his friend by paying the wanted money to the police officer , An end-up scene of Ta7ya shouting in anger about that action which ruined all her dreams. |
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-The wedding song scene is mixing between medium shot and medium full shot to get the whole celebration and to get the expression and feeling of Hanafy while he freaks out |
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-The other dancing scene In the wedding is totally different from the first one in the bar as Hanafy attitude has changed completely he is no longer enjoying and drinking and Naw3em fakes smiling. |
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-A close-up shot of Nawe3m crying and Hanafy trying to stop her from crying shows his buried good manners and soft heart. |
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-A medium close shot on Nawe3m, Me3lam and Fola in the hospital when they knew that Hanafy is no longer a male , Me3alem and Fola cant believe it and they’re not happy about it while the only one whose laughing is Nawe3m. |
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-That hug scene between Nawe3m and Hasan in Close shot shows that things has changed completely from her marrying another guy to another chance of them to marry again , happiness is clearly there. While the complete opposite in the next scene between Fola and Me3alem. |
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-Macro close up on a female leg to attract the viewer and grab the attention without showing this feminine leg which belongs to Hanafy who has become FiFi. |
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-Next shot full close-up shot on FiFi doing her hair , outing perfume , earings and looks so proud of her self as a female human being. |
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-Next Scene Full shot of Hanafy “FiFi” coming out of the room with Hasouna and Abou saree3 waiting for their friend to show up , but FiFi Is like “ Ya Nadmty !! Enta 3ndak regala ya Papa !” and her cheeks turns to red and blushes . this shows how enormously she became attached to her new self . |
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-Medium shot on FiFi trying to open the windows from the blocks that he used to put on the window to block Nawe3m and Fola from looking through the window. |
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-Abou seree3 flirting with Fifi through the window |
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-the conversation between them declares that the society is accepting how Hanafy has changed to FiFi and it’s all fine when Abou serei3 tells FiFi “kol el fel 7ara kolaha bts2al 3aleeki ya FiFi w far7nenlek awy“. |
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-but Nawe3m and Fola show up and do the same action Hanafy used to do when he was male and prevent her from looking through the window just the same way he used to deal with them , and the script is written exactly the same way but the lines now have different speakers , what Hanafy used to say ..Nawe3m now saying it to him the same way he used to do it , and he as FiFi refuse it the same way Nawe3m used to do. |
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-A close shot on The dialogue between FiFi and Nawe3m in home as they talking like sisters : here is the real message through the movie , Nawe3m is telling FiFi that every person have a role and a message to do through his life and females must educate and complete their educational stages to become an educated , well trained and smart mother to raise her children in the best way she can. |
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-Actions goes on by FiFi doesn’t want to marry Abou seree3 so she run away. |
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-Medium shot showing FiFi coming into the house while she’s pregnant , All reaction around her is full of shame and anger. As the scene ends with Fola saying “el Awela 5arga Harbana wel Tanya rag3a malyana , ya lahwtyyyyyy “ |
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-Close up on FiFi delivering her baby , Next Shot she gave birth to 4 twins , and she turned out to be married to Hasouna secretly. |
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-Ending scene : Close shot FiFi marrying Hasouna , Abou serie3 marrying Ta7ya |
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and last and final surprise A close shot on el me3lam having a stomach ache and Fola is screaming . |
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'''Main Points of the movie :''' |
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• So after all it’s an open ending movie, you get to think what you want but most probably el me3lam will turn to be a Female too like Hanafy. |
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• Love can exist anywhere without even knowing it and can conquer the impossible. |
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• Education is very important for every women to know her rights , duties and know how to raise her children. |
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• Giving women the right space of freedom is the best solution , not too closed and not too open. |
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• Sex change operations can be acceptable by the Egyptian society and it’s not something to be ashamed of. |
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{{uncategorized|date=February 2015}} |
Revision as of 20:31, 8 February 2015
Miss Hanafi | |
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Directed by | Fatin Abdel Wahab |
Written by | Galil al-Bendari |
Produced by | Galil al-Bendari |
Starring | |
Cinematography | Robert Tamba |
Release date | 1954 (Egypt) |
Running time | 93 minutes |
Country | Egypt |
Language | Arabic |
Miss Hanafi (Arabic language: El anesa Hanafy) is a 1954 Egyptian comedy film written and produced by Galil al-Bendari and directed by Fatin Abdel Wahab about a man who goes through a accidental sex change.[1] Starring by Ismail Yaseen and Omar El-Hariri, the film is based upon an actual 1947 news article about a woman-to-man instance but with the gender switch reversed to be man-to-woman for comedy effect.[2][3]
Miss Hanafi is listed among the most important 100 films in the history of Egyptian cinema.[4] In his book Dream Makers on the Nile, author Mustafa Darwish called it Ismail Yasseen's "most famous and funniest film".[5]
Plot
Working class Hassan (Omar al-Hariri) and the rich Hanafi are rivals for Nawaeim's (Magda) love. Going to the hospital to be treated for a horrible wedding night stomach pain, Hanafi receives an accidental sex change operation. After months of recuperation, he tries to pick up the pieces of his life as an unattractive, mannish woman named Fifi. She becomes the opposite of Hanafi. Where he was brusque, she is flirtatious.
Cast
- Ismail Yasseen as Hanafi / Fifi
- Omar El-Hariri as Hassan
- Magda as Nawaem
- Wedad Hamdy as Zakia
- Suleiman Naguib as Hassona
- Abdel Fatah Al Kasri
- Zeinat Sedki
Reception
Mada Masr praised the film, calling it one of Egypt's cinematic gems. The expanded that the film "breaks every social norm and cinematic cliché of its time. Boy loves girl, boy chases girl, boy sings about girl’s beautiful eyes, and finally boy marries girl. But in Miss Hanafi the boy is the girl! And he/she chooses celibacy and scolds those who chose to marry."[2] They also explained that while other films of the 50's might have had story lines where the men dressed as women, this one was "unusual in its progressive questioning around gender because it is very early, very funny, not particularly political, and it’s set in a working-class neighborhood."[2]
The Al-Hanager Arts Centre in Cairo celebrated the work of director Fettin Abdel-Wahab as part of the 2007 Egyptian Centennials exhibition, noting him as a pioneer of the social comedy school of Egyptian cinema, and his film Miss Hanfi as among the most frequently watched and influential.[6]
In 2006, Miss Hanafi was determined by Bibliotheca Alexandrina as one of the most important 100 films in the history of Egyptian cinema.[4]
References
- ^ Boraïe, Sherif (2008). Title سنوات الذهبية في السينما المصرية: سينما كايرو، ١٩٣٦-١٩٦٧. American University in Cairo. ISBN 9774161734. Retrieved 8 February 2015.
{{cite book}}
: horizontal tab character in|title=
at position 6 (help) - ^ a b c Amany Ali Shawky (11 October 2014). "Egypt's cinematic gems: Miss Hanafi". Mada Masr. Retrieved 9 February 2015.
- ^ Oliver Leaman (2003). Companion Encyclopaedia of Middle Eastern and North African Film. Routledge. pp. 51–54, 87. ISBN 1134662521. Retrieved 8 February 2015.
- ^ a b Hesham, Soha (15 March 2007). "The top 100". Al-Ahram Weekly. Retrieved 8 February 2015.
- ^ Darwish, Mustafa]] (1998). Dream Makers on the Nile: A Portrait of Egyptian Cinema. American University in Cairo. p. 21. ISBN 977424429X.
- ^ Hesham, Soha (4 January 2014). "The five musketeers". Ahram Online. Retrieved 8 February 2015.