Ringo Lam | |||||||
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Born | Lam Ling-tung 8 December 1955 | ||||||
Died | 29 December 2018 Hong Kong | (aged 63)||||||
Alma mater | York University | ||||||
Occupation(s) | Film director screenwriter film producer | ||||||
Years active | 1983–2018 | ||||||
Chinese name | |||||||
Traditional Chinese | 林嶺東 | ||||||
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Ringo Lam Ling-Tung (simplified Chinese: 林岭东; traditional Chinese: 林嶺東; pinyin: Lín Lǐngdōng, 8 December 1955 – 29 December 2018) was a Hong Kong film director, producer, and screenwriter. He was known for his action and crime films produced during the Hong Kong New Wave, many of them comprising entries in the heroic bloodshed subgenre. He was nominated for six Hong Kong Film Awards, winning Best Director for his 1987 film City on Fire, which he followed with other similar films that shared a dark view of Hong Kong society, collectively known as the "On Fire" cycle.
Lam's other notable films include Aces Go Places IV (1986), Prison on Fire (1987), Undeclared War (1990), Twin Dragons (1992, co-directed with Tsui Hark), and Full Contact (1992). Many of his films starred Chow Yun-fat. He also directed several films in the United States, beginning with 1996's Maximum Risk, with Jean-Claude Van Damme. He would continue working on film productions in both Hong Kong and two more American productions with Damme until 2003.
In 2016, he won the Hong Kong Film Critics Society Award for Best Director for his Wild City, his first film in 8 years. His final film, a segment in the omnibus Septet: The Story of Hong Kong, was released posthumously in 2020, two years after his death.
Early life and background
![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/7b/Chow_Yun_Fat_for_wiki.jpg/220px-Chow_Yun_Fat_for_wiki.jpg)
Ringo Lam was born in British Hong Kong in 8 December 1955.[1][2] Lam started his career by enrolling in the TVB Actors Training Program in 1973.[2] At the program, he met Chow Yun Fat with whom he would later collaborate on several films.[2] He graduated from the training program in 1974 alongside Chow.[3] After taking a few acting roles, Lam went to Canada and studied film at York University in Toronto. Lam returned to Hong Kong in 1981.[2]
Career
1980s
Lam's first four films were not written by him.[4] Lam took over as director for Po-Chih Leong after he had finished about one-third of the film Esprit d'amour as the film's producer Karl Maka needed a cheap replacement and hired him.[5] Lam explained that he had "no choice, I need food, so I do the best I can ..." Lam received sole directing credit for the film.[5] The film was released on 15 December 1983 in Hong Kong.[6] Lam's next feature film was The Other Side of Gentleman, which was released 28 June 1984 in Hong Kong.[7] Lam followed this with the romantic comedy film Cupid One released 1985.[8] The film grossed HK$6,382,935, which was less than his previous two films which both grossed over ten million Hong Kong dollars.[6][7][8] Lam's next film was the fourth film in the Aces Go Places film series, Aces Go Places IV.[9] Lam stated in interviews that he directed the film as a favor to Karl Maka, who helped give Lam his start.[10] The film was very successful at the box office grossing HK$27,012,748 in Hong Kong.[11]
After Aces Go Places IV, Karl Maka allowed Lam to make whatever type of film he wanted.[4][12] Lam's had two films released in 1987.[13] one of which was the first of his On Fire films, City on Fire.[4] The film is a gangster movie which was made in Hong Kong in the footsteps of A Better Tomorrow (1986) which re-invented the gangster film genre in Hong Kong.[4] The film was released on 13 February 1987 and earned $19,723,505 in Hong Kong.[13] Lam won the award for Best Director award at the 1987 Hong Kong Film Awards for City on Fire.[2] Lam's next film that year was Prison on Fire which had a script that was written in nine days while the film was shot in 20 days.[12]
In 1988, along with Karl Maka, Lam had a brief acting role in the film The Eighth Happiness.[14] Lam then continued his On Fire series with School on Fire which was released in Hong Kong on 20 August 1988.[15] School on Fire was edited with many scenes censored on its release in both Hong Kong and Taiwan.[16] Lam's final film of the 1980s was Wild Search released in 1989. It grossed a total of HK$15,944,333 in Hong Kong.[17]
1990s
Lam's first film of the 1990s was Undeclared War released in 1990.[18] The film contained an international cast including Olivia Hussey, Peter Lapis, Danny Lee and Vernon Wells.[19] The film was not as popular as Lam's previous films in Hong Kong, grossing HK$5,523,958.[18] Lam's next film Touch and Go was released on 16 May 1991 in Hong Kong.[20] The film was a comedy starring Sammo Hung.[21] Lam stated in interviews that Touch and Go was an assignment took for hire in order to keep himself in the film business.[22] The film grossed less than Undeclared War in Hong Kong.[18][20] Lam released a second film in 1991 titled Prison on Fire II. The film was very popular with Hong Kong audiences where it grossed $24,367,261.[23] Lam's next film Twin Dragons had him partnered with Tsui Hark as a director.[24] According to Hark, Lam handled most of the action scenes in the film.[24] Lam also briefly appears in the film as a car mechanic.[25] Lam's next film Full Contact was released in Hong Kong on 23 July 1992. It grossed a total of HK$16,793,011.[26] Lam followed it up with Burning Paradise which differed from his previous films by being a period film featuring the Chinese folk hero Fong Sai-yuk opposed a film set in an urban environ.[27][28] The film was poorly received at the box office in Hong Kong, being the 145th highest-grossing film of the year.[28] In 1995, Lam directed another period film set in 1975 starring Andy Lau titled The Adventurers.[29] The film was shot partially in the Philippines and the United States and grossed HK$14,839,584 in Hong Kong.[29][30]
In 1996, Lam made his American debut with the film Maximum Risk starring Jean-Claude Van Damme.[2] The film was not a big draw at the box office.[2] Lam returned to Hong Kong where he shot his next film Full Alert which was budgeted at $13 million. The film was shown at film festivals in 1997 including Rotterdam and Berlin.[31] Full Alert was nominated for five awards at the Hong Kong Film Awards and won the award for best film and best actor (Lau Ching-wan) at the Hong Kong Film Critics Society Awards.[32][33] Lam followed up Full Alert the next year with The Suspect which was shot in the Philippines.[34] The Suspect was not as financially successful as Full Alert, grossing around ten million less.[35] In 1998, Variety announced that Lam would direct the film Simon Sez with Kevin Elders.[36] Lam later only contributed to the film as a producer.[37] Lam directed a Hong Kong production titled Victim. The film featured a supernatural storyline and had its ending changed on its Hong Kong theatrical release.[38] Half of the release prints contained a scene stating whether or not the actor was possessed by a ghost.[38] The other half of the movie reflected the original script and did not reveal this.[38]
21st century
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Jean-Claude_Van_Damme_June_2%2C_2007%2C_cropped.jpg/220px-Jean-Claude_Van_Damme_June_2%2C_2007%2C_cropped.jpg)
Lam's second U.S.-based production, Replicant, was released in 2001.[39] The film was screened theatrically in France on 11 July 2001.[40] The film was released direct-to-video in the United States.[39] Lam directed two more films in 2003: the Hong Kong production Looking for Mister Perfect and the American direct-to-video release In Hell starring Jean-Claude Van Damme.[41][42] Lam next took a break from filmmaking after finding dissatisfaction with the filming environment in Hong Kong after Finding Mr. Perfect did poorly in the box office.[43] Lam also stated that he wanted to spend more time with his family and "above all, to observe people and learn more about them. I wanted to seek resources, material, and subjects that were worth making into films."[43]
In 2007, Lam co-directed a section of the portmanteau film Triangle with Tsui Hark and Johnnie To.[44] Lam stated that his story in the film represented "a metaphor of my attitude towards filmmaking: It is always a love-hate process."[44] The film was screened out of competition at the Cannes Film Festival.[44]
In 2014, the Hong Kong newspaper Apple Daily reported that Lam would return to directing with a film with funding from Mei Ah Entertainment with a cast to include Daniel Wu and Shawn Yue.[45] The film began production in June 2014.[45] The film marked Lam's first feature-length film in over a decade[45] Lam's new film was titled Wild City.[43] Lam stated that he returned to filming after his son had graduated from college and that he would "like to make films that allow me to express myself. It's a device for me to unburden myself, to get things off my chest, and also a mirror to learn more about myself through the film I made. I don't make films for money anymore."[43] Lam attended the New York Asian Film Festival in 2015 where he was a recipient of the Lifetime Achievement Award.[46]
Lam's last film, Sky on Fire, was released in 2016; it is the last installment in his "On Fire" series.[47]
On 29 December 2018, Lam was confirmed dead at his Hong Kong residence at age 63, after his wife found him unresponsive in his bed.[48][49] Lam had been working on a film "Eight and a Half" with Milkyway Image with Ann Hui, John Woo, Tsui Hark, Patrick Tam, Johnnie To, Sammo Hung and Yuen Woo-Ping.[50] Each director was to create a segment based on Hong Kong history.[50][1] Without Woo's segment, the film's title was changed to Septet: The Story of Hong Kong and the film was originally set for a release at the 2020 Cannes Film Festival.[51] The film was screened at the Busan International Film Festival on 21 October 2020.
Style
Lam's first four films were comedies not written by Lam.[4] When Lam began to shoot the films he wanted to make after the success of Aces Go Places IV, he began his On Fire series.[4] Lam chose the English titles for these films stating that it gave them "a sense of energy, of action".[4] The films City on Fire, Prison on Fire and School on Fire do not share any characters or situations, but all have a common bleak view on Hong Kong society.[4] In these films, Lam looks at controversial issues such as street violence and the abuse of street, prison and school systems.[4]
Lam rarely employed Cantopop in his films. Lam's films often have Western music, such as City on Fire, which features a blues-oriented saxophone score, and Full Contact, which uses American rock music.[52]
Filmography
See also
References
- ^ a b Qin, Amy (4 January 2019), "Ringo Lam, Director of Hong Kong Classic 'City on Fire,' Dies at 63", The New York Times, archived from the original on 5 January 2019, retrieved 5 January 2019
- ^ a b c d e f g Buchanan, Jason. "Ringo Lam". Allmovie. Rovi Corporation. Archived from the original on 20 January 2014. Retrieved 28 February 2014.
- ^ Lau, Henry (14 December 2021). "Hong Kong's 'star factory': without TVB's artist training course, would Andy Lau, Tony Leung, Stephen Chow and other Canto-pop and film idols have launched their showbiz careers?". South China Morning Post. Archived from the original on 21 August 2023. Retrieved 21 August 2023.
- ^ a b c d e f g h i Stokes, 1999. p. 64
- ^ a b Wong, Raymond (2008). An Interview with Raymond Wong (in Chinese). Joy Sales Hong Kong. Event occurs at 0:00:00-0:05:59. (DVD)
- ^ a b c "Esprit d'amour". Hong Kong Film Archive. Archived from the original on 9 February 2015. Retrieved 9 February 2015.
- ^ a b c "The other side of gentleman". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ a b c "Cupid one". Hong Kong Film Archive. Archived from the original on 28 February 2014. Retrieved 28 February 2014.
- ^ Firsching, Robert. "Mad Mission 3: Our Man from Bond Street". Allmovie. Rovi Corporation. Archived from the original on 18 April 2014. Retrieved 28 February 2014.
- ^ Charles, 2000, p. 4
- ^ a b "Aces go places IV". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ a b Stokes, 1999. p. 71
- ^ a b c "City on Fire". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ a b Charles, 2000, p. 124
- ^ "School on Fire". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ Charles, 2000, p. 276
- ^ a b "Wild Search". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ a b c d "Undeclared War". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ Crow, Jonathan. "Undeclared War". Allmovie. Rovi Corporation. Archived from the original on 18 April 2014. Retrieved 28 February 2014.
- ^ a b c "Touch and Go". Hong Kong Film Archive. Archived from the original on 28 February 2014. Retrieved 28 February 2014.
- ^ Crow, Jonathan. "Touch and Go (1991)". Allmovie. Rovi Corporation. Archived from the original on 29 April 2014. Retrieved 13 March 2014.
- ^ Charles, 2000, p. 318
- ^ a b "Prison on Fire II". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ a b Morton, 2009. p.186
- ^ "Twin Dragons: Cast & Crew". Allmovie. Rovi Corporation. Archived from the original on 18 April 2014. Retrieved 28 February 2014.
- ^ a b "Full contact". Hong Kong Film Archive. Archived from the original on 18 December 2012. Retrieved 13 November 2011.
- ^ Thomas, 2003. p. 79
- ^ a b Morton, 2009. p.201
- ^ a b Thomas, 2003. p. 7
- ^ a b "The adventurers". Hong Kong Film Archive. Retrieved 28 February 2014.[permanent dead link]
- ^ Stewart, Bhob. "Ko Dou Gai Bei". Allmovie. Rovi Corporation. Archived from the original on 18 April 2014. Retrieved 28 February 2014.
- ^ 第十七屆香港電影金像獎得獎名單. Hong Kong Film Awards (in Chinese). Archived from the original on 14 April 2016. Retrieved 3 October 2011.
- ^ "The 4th Hong Kong Film Critics Society Awards : 香港電影評論學會". Hong Kong Film Critics Society. 22 January 1998. Archived from the original on 1 September 2011. Retrieved 3 October 2011.
- ^ O'Brien, 2003. p.173
- ^ a b c "The suspect". Hong Kong Film Archive. Archived from the original on 28 February 2014. Retrieved 28 February 2014.
- ^ "Burton eyes 'Hollow'; Rodman wrestles". Variety. 18 June 1998. Archived from the original on 15 July 2014. Retrieved 9 July 2014.
- ^ a b Leydon, Joe (27 September 1999). "Review: 'Simon Sez'". Variety. Archived from the original on 8 March 2014. Retrieved 28 February 2014.
- ^ a b c Elley, Derek (19 March 2000). "Variety Reviews - Victim - Film Reviews - - Review by Derek Elley". Variety. Archived from the original on 5 March 2024. Retrieved 6 October 2011.
- ^ a b c Miller, Skyler. "Replicant". Allmovie. Rovi Corporation. Archived from the original on 5 March 2024. Retrieved 28 February 2014.
- ^ Nesselson, Lisa (23 July 2001). "Replicant". Variety. Archived from the original on 1 January 2019. Retrieved 9 December 2017.
- ^ a b Wheeler, Jeremy. "In Hell". Allmovie. Rovi Corporation. Archived from the original on 15 October 2019. Retrieved 20 April 2020.
- ^ Buchanan, Jason. "Looking for M. Perfect (2003)". Allmovie. Rovi Corporation. Archived from the original on 12 April 2019. Retrieved 20 April 2020.
- ^ a b c d e Hendrix, Grady; Fukazawa, Hiroshi (9 September 2014). "Kaiju Shakedown: Ringo Lam". Film Comment. Archived from the original on 11 September 2014. Retrieved 11 September 2014.
- ^ a b c "Out of Competition: "Triangle" by Ringo Lam, Tsui Hark, and Johnnie To". Cannes Film Festival. 17 May 2007. Archived from the original on 5 March 2014. Retrieved 28 February 2014.
- ^ a b c Ma, Kevin (28 February 2014). "Ringo Lam to direct new action film". Film Business Asia. Archived from the original on 3 March 2016. Retrieved 28 February 2014.
- ^ Ma, Kevin (21 May 2015). "Hong Kong takes spotlight at NY Asian Fest". Film Business Asia. Archived from the original on 3 March 2016. Retrieved 21 May 2015.
- ^ "Ringo Lam Dies: Hong Kong Director Of 'City On Fire' Was 63". Deadline.com. Deadline Hollywood. 29 December 2018. Archived from the original on 30 December 2018. Retrieved 30 December 2018.
- ^ "著名動作片導演林嶺東猝逝 享壽63歲". Yahoo! News (in Chinese). 29 December 2018. Archived from the original on 29 December 2018. Retrieved 29 December 2018.
- ^ "Hong Kong Director Ringo Lam Dies at 63". Variety. 29 December 2018. Archived from the original on 1 January 2019. Retrieved 2 January 2019.
- ^ a b Shackleton, Liz (6 February 2015). "Johnnie To assembles top Hong Kong talent". Screen Daily. Archived from the original on 7 February 2015. Retrieved 9 February 2015.
- ^ Boone, John (3 June 2020). "Cannes Announces Official Lineup for This Year's Canceled Film Festival". WUSA9. Archived from the original on 4 June 2020. Retrieved 4 June 2020.
- ^ West, 2006. p. 170
- ^ "你係得嘅 You are wonderful /". Hong Kong Film Archive (in Chinese). Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ "橫財三千萬 The thirty million rush /". Hong Kong Film Archive. Archived from the original on 3 March 2014. Retrieved 4 March 2014.
- ^ "Prison on Fire". Hong Kong Film Archive. Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ "學校風雲 School on fire". Hong Kong Film Archive (in Chinese). Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ "勇闖天下 Rebel from China /". Hong Kong Film Archive (in Chinese). Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ "雙龍會 Twin dragons /". Hong Kong Film Archive (in Chinese). Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ "Burning Paradise". Hong Kong Film Archive. Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ Klady, Leonard (16 September 1996). "Maximum Risk". Variety. Archived from the original on 8 March 2014. Retrieved 3 March 2014.
- ^ "Victim". Hong Kong Film Archive. Archived from the original on 3 March 2014. Retrieved 28 February 2014.
- ^ "Looking for Misterperfect". Hong Kong Film Archive. Archived from the original on 3 March 2014. Retrieved 3 March 2014.
- ^ "Triangle". Hong Kong Movie Database. Archived from the original on 3 March 2014. Retrieved 3 March 2013.
- ^ Brown, Todd (24 May 2011). "Trailer For Upcoming Documentary Tarantino: The Disciple Of Hong Kong". Twitch Film. Archived from the original on 15 March 2013. Retrieved 4 March 2013.
- ^ Tsui, Clarence (16 July 2015). "'Wild City' ('Mai Sing'): Film Review". The Hollywood Reporter. Archived from the original on 19 April 2021. Retrieved 29 July 2015.
- ^ Wu, Daniel (19 September 2015). "thatdanielwu". Instagram. Archived from the original on 24 December 2021. Retrieved 19 September 2015.
Bibliography
- Morton, Lisa (2009). The Cinema of Tsui Hark. McFarland. ISBN 978-0-7864-4460-1.
- Charles, John (2000). The Hong Kong Filmography, 1977-1997. McFarland. ISBN 0786408421.
- Stokes, Lisa Odham (1999). City on Fire: Hong Kong Cinema. Verso. ISBN 1859842038.
- Yang, Jeff (2003). Once Upon a Time in China: A Guide to Hong Kong, Taiwanese, and Mainland Chinese Cinema. Simon & Schuster. ISBN 0743448170.
- West, David (2006). Chasing Dragons: An Introduction to the Martial Arts Film. I.B. Tauris. ISBN 1850439826.
- Thomas, Brian (2003). VideoHound's Dragon: Asian Action and Cult Flicks. Visible Ink Press. ISBN 1578591414.