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'''Jens Christian Bugge Wesseltoft''' (born 1 February 1964) is a Norwegian [[jazz]] pianist, composer, and producer, son of jazz guitarist [[Erik Wesseltoft]].<ref name=nbl>{{cite encyclopedia |title=Bugge Wesseltoft Extended Biography |first=Tore |last=Halvorsen |language=no |url=http://nbl.snl.no/Bugge_Wesseltoft/utdypning |encyclopedia=[[Norsk Biografisk Leksikon]] |publisher=[[Kunnskapsforlaget]] |date=13 February 2009 |access-date=2013-10-08}}</ref> |
'''Jens Christian Bugge Wesseltoft''' (born 1 February 1964) is a Norwegian [[jazz]] pianist, composer, and producer, son of jazz guitarist [[Erik Wesseltoft]].<ref name=nbl>{{cite encyclopedia |title=Bugge Wesseltoft Extended Biography |first=Tore |last=Halvorsen |language=no |url=http://nbl.snl.no/Bugge_Wesseltoft/utdypning |encyclopedia=[[Norsk Biografisk Leksikon]] |publisher=[[Kunnskapsforlaget]] |date=13 February 2009 |access-date=2013-10-08}}</ref> |
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==Career== |
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[[File:Bugge-wesseltoft.jpg|thumb|240px|left|Bugge Wesseltoft (with [[John Scofield]]) at [[Moers Festival]] 2006, Germany |
[[File:Bugge-wesseltoft.jpg|thumb|240px|left|Bugge Wesseltoft (with [[John Scofield]]) at [[Moers Festival]] 2006, Germany]] |
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[[File:DJ Bugge Wesseltoft at the 2016 Nattjazz.jpg|thumb|260px|DJ Bugge at |
[[File:DJ Bugge Wesseltoft at the 2016 Nattjazz.jpg|thumb|260px|DJ Bugge at [[Nattjazz]] 2016<br />in [[Bergen, Norway]]]] |
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⚫ | Wesseltoft collaborated |
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⚫ | Wesseltoft collaborated with the [[Knut Riisnæs|Knut Riisnæs Quartet]] in 1989, and he was soon after contacted by [[Arild Andersen]] to join in on commissioned work for Vossajazz—released on the album ''Sagn'' (1990)—and the follow-up ''Arv'' (1993). He worked with [[Jan Garbarek]] on his ''Molde Canticle'' (1990), a commission from [[Moldejazz]], released on the 1990 album ''[[I Took Up the Runes]]''.<ref name=nbl/> |
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⚫ | |||
⚫ | Wesseltoft had an impact on the Norwegian jazz scene at the beginning of the 1990s while going through a transition from Nordic jazz traditions, exemplified by the [[ECM Records|ECM]] label, to a style sometimes referred to as "future jazz" or [[nu jazz]]. Thereafter, he toured extensively on the international jazz scenes, performing both jazz and rock concerts to live audiences, and on a series of recordings on his own [[Jazzland Recordings|Jazzland]] label. He collaborated with a series artists in this period, such as guitarists [[Terje Rypdal]] and [[Jon Eberson]], and in the mid-1990s, he toured and recorded the album ''Billy Cobham presents Nordic – Off Color'', released in 1999, together with [[Billy Cobham]]. For many years, he collaborated with experimental jazz vocalist [[Sidsel Endresen]] and was in the lineup for her commissioned work at Moldejazz in 1993, which was released on the album ''Exile'' a year later. His own commissioned work ''A Little War Story'' for [[Vossajazz]] was also performed in 1993. |
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⚫ | Firmly committed to electronic music, |
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Wesseltoft formed his own band, New Conception of Jazz, in 1995, and their first album, ''New Conception of Jazz'', was awarded a Spellemannprisen in 1996, the same year it was released.<ref name=allaboutjazz>{{cite web |url=http://www.allaboutjazz.com/php/article.php?id=32082#.UlQPo9K-2m4 |title=Bugge Wesseltoft: ''New Conception of Jazz Box'' Review |first=John |last=Kelman |publisher=[[All About Jazz]] |date=2009-03-04 |access-date=2013-10-08}}</ref> |
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⚫ | |||
⚫ | Firmly committed to electronic music, Wesseltoft completely eschews acoustic forms and is just as adamant that he will not be tied by genre boundaries, bringing hip hop and other contemporary dance music forms into his concept of contemporary jazz. On the album ''Sharing'' (1998), many listeners were taken by surprise by his extensive use of club DJs and scratchers.<ref name=allaboutjazz/> |
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⚫ | John Kellman of |
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After working with [[Dan Berglund]] on "Trialogue", Wesseltoft decided to found a jazz trio with him, with [[Magnus Öström]] joining on drums. |
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⚫ | The band [[Rymden]] had their first appearance at the [[Nattjazz Festival]] in Bergen in 2017. According to Wesseltoft, they began work on a debut album after this successful performance. Wesseltoft had the band signed on his Jazzland label. Further appearances followed in 2017 and 2018, and in 2019, Rymden recorded their first album, ''Reflections & Odysseys''. |
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⚫ | John Kellman of ''[[All About Jazz]]'' magazine noted Wesseltoft's solo performance at The Punkt Festival, Kristiansand, Norway, as one of his 25 "Best Live Shows of 2013".<ref>{{cite web |url=http://www.allaboutjazz.com/php/article.php?id=46073&&width=1366#.UqyELtLuKSo |title=John Kelman's Best Live Shows of 2013 |first=John |last=Kelman |publisher=[[All About Jazz]] |date=13 December 2013 |access-date=2013-12-14}}</ref> |
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== Honors == |
== Honors == |
Revision as of 15:49, 11 August 2022
Bugge Wesseltoft | |
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Background information | |
Birth name | Jens Christian Bugge Wesseltoft |
Born | Porsgrunn, Norway | 1 February 1964
Genres | |
Occupations |
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Instruments |
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Labels | |
Website | buggesroom |
Jens Christian Bugge Wesseltoft (born 1 February 1964) is a Norwegian jazz pianist, composer, and producer, son of jazz guitarist Erik Wesseltoft.[1]
Career
![](https://upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Bugge-wesseltoft.jpg/240px-Bugge-wesseltoft.jpg)
![](https://upload.wikimedia.org/wikipedia/commons/thumb/5/51/DJ_Bugge_Wesseltoft_at_the_2016_Nattjazz.jpg/260px-DJ_Bugge_Wesseltoft_at_the_2016_Nattjazz.jpg)
in Bergen, Norway
Wesseltoft collaborated with the Knut Riisnæs Quartet in 1989, and he was soon after contacted by Arild Andersen to join in on commissioned work for Vossajazz—released on the album Sagn (1990)—and the follow-up Arv (1993). He worked with Jan Garbarek on his Molde Canticle (1990), a commission from Moldejazz, released on the 1990 album I Took Up the Runes.[1]
Wesseltoft had an impact on the Norwegian jazz scene at the beginning of the 1990s while going through a transition from Nordic jazz traditions, exemplified by the ECM label, to a style sometimes referred to as "future jazz" or nu jazz. Thereafter, he toured extensively on the international jazz scenes, performing both jazz and rock concerts to live audiences, and on a series of recordings on his own Jazzland label. He collaborated with a series artists in this period, such as guitarists Terje Rypdal and Jon Eberson, and in the mid-1990s, he toured and recorded the album Billy Cobham presents Nordic – Off Color, released in 1999, together with Billy Cobham. For many years, he collaborated with experimental jazz vocalist Sidsel Endresen and was in the lineup for her commissioned work at Moldejazz in 1993, which was released on the album Exile a year later. His own commissioned work A Little War Story for Vossajazz was also performed in 1993.
Wesseltoft formed his own band, New Conception of Jazz, in 1995, and their first album, New Conception of Jazz, was awarded a Spellemannprisen in 1996, the same year it was released.[2]
Firmly committed to electronic music, Wesseltoft completely eschews acoustic forms and is just as adamant that he will not be tied by genre boundaries, bringing hip hop and other contemporary dance music forms into his concept of contemporary jazz. On the album Sharing (1998), many listeners were taken by surprise by his extensive use of club DJs and scratchers.[2]
His track "Existence" can be heard in Philippe Harel's movie Extension du domaine de la lutte, an adaptation of Michel Houellebecq's 1994 novel.
After working with Dan Berglund on "Trialogue", Wesseltoft decided to found a jazz trio with him, with Magnus Öström joining on drums.
The band Rymden had their first appearance at the Nattjazz Festival in Bergen in 2017. According to Wesseltoft, they began work on a debut album after this successful performance. Wesseltoft had the band signed on his Jazzland label. Further appearances followed in 2017 and 2018, and in 2019, Rymden recorded their first album, Reflections & Odysseys.
John Kellman of All About Jazz magazine noted Wesseltoft's solo performance at The Punkt Festival, Kristiansand, Norway, as one of his 25 "Best Live Shows of 2013".[3]
Honors
- 1996: Smugetprisen
- 1996: Spellemannprisen in the class Jazz, for the album New Conception of Jazz
- 1997: Kongsberg Jazz Award
- 1998: Spellemannprisen together with Sidsel Endresen in the class Jazz, for the album Duplex Ride
- 1999: Gammleng-prisen in the class Jazz
- 2002: Spellemannprisen in Open class, for the album Out here, In there
- 2004: Buddyprisen, awarded by The Norwegian Jazz Forum[1]
Discography
- It's Snowing on My Piano (ACT, 1997)
- New Conception of Jazz (Jazzland/Sonet, 1997)
- Sharing (Jazzland/EmArcy, 1998)
- New Conception of Jazz: Moving (Jazzland/EmArcy, 2001)
- New Conception of Jazz Live (Jazzland, 2003)
- New Conception of Jazz: Film Ing (Jazzland, 2004)
- IM (Jazzland, 2007)
- New Conceptions of Jazz (Jazzland, 2008)
- Duo (Jazzland, 2011)
- Songs (Jazzland, 2011)
- Last Spring (ACT, 2012)
- Trialogue (Jazzland, 2014)
- OK World (Jazzland, 2014)
- Bugge & Friends (Jazzland, 2015)
- Everybody Loves Angels (ACT, 2017)
- Bugge Wesseltoft & Prins Thomas (Smalltown Supersound, 2018)
- Be Am (Jazzland, 2022)
With Rymden
- 2019: Reflections & Odysseys (Jazzland Recordings), with Magnus Öström and Dan Berglund (Rymden)
- 2020: Space Sailors (Jazzland Recordings), with Magnus Öström and Dan Berglund (Rymden)
- 2020: Live In Umeå’' (Jazzland Recordings), with Magnus Öström and Dan Berglund (Rymden) - Taken from a live performance at the Umeå Jazz Festival in October 2019
As sideman
With Finn Coren
- The Blake Project: Spring (Bard, 1997)
- The Blake Project: Spring: The Appendix (Bard, 1998)
- Lovecloud (Bard, 1999)
With Jan Eggum
- Dacapo (Sigma Music, 1990)
- Underveis (Grappa, 1991)
- Nesten Ikke Tilstede (Grappa, 1993)
- Deilig (Grappa, 1999)
- Kjaerlighet & AErlighet 2 (Grappa, 2011)
With Bjorn Eidsvag
- Til Alle Tider (Norsk, 1992)
- Landet Lenger Bak (Norsk, 1995)
- Rundt Neste Sving (Petroleum, 2010)
With Sidsel Endresen
- Exile (ECM, 1994)
- Nightsong (Curling Legs, 1994)
- Duplex Ride (ACT/Curling Legs, 1998)
- Undertow (Jazzland/EmArcy, 2000)
- Out Here. In There. (Jazzland, 2002)
With Laurent Garnier
- The Cloud Making Machine (F/PIAS, 2004)
- The Cloud Making Machine Reworks (F/PIAS, 2005)
- Retrospective (F/PIAS, 2006)
- Public Outburst (F/PIAS, 2007)
With Knut Reiersrud
- Soul of a Man (Kirkelig Kulturverksted, 1998)
- Sub (Kirkelig Kulturverksted, 1999)
- Gitar (Jazzland, 2009)
With Oystein Sunde
- Du Ma'kke Komme Her Og Komme Her (Spinner, 1994)
- Sann Er'e Bare (Spinner, 2005)
- Bestefar (Spinner, 2016)
With Vamp
- Godmorgen, Soster (Major Selskapet, 1993)
- Horisonter (Major Selskapet, 1994)
- 13 Humler (Major Selskapet, 1996)
- Flua Pa Veggen (MajorStudio, 1998)
- St. Mandag (MajorStudio, 2008)
With others
- Eivind Aarset, Electronique Noire (Jazzland/EmArcy, 1998)
- Arild Andersen, Sagn (Kirkelig Kulturverksted, 1990)
- Arild Andersen, Arv (Kirkelig Kulturverksted, 1994)
- Maj Britt Andersen, Rippel Rappel (Grappa, 1994)
- Baba Zula, Gecekondu (Doublemoon, 2010)
- Beady Belle, Closer (Jazzland, 2005)
- Beady Belle, On My Own (Jazzland, 2016)
- Kirsten Bråten Berg, Syng Du Mi Royst (Grappa, 2001)
- Mari Boine, Eight Seasons: Gavcci Jahkejuogu (Lean/EmArcy/Universal 2002)
- Knut Buen, Tonebod (Nyrenning, 2008)
- Tore Brunborg, Tid (Curling Legs, 1993)
- Tore Brunborg, Gravity (Vossa Jazz, 2003)
- Katia Cardenal, Canta Alf Proysen: Navegas Por Las Costas (Kirkelig Kulturverksted, 1999)
- Billy Cobham, Nordic (Eagle, 1996)
- Dance with a Stranger, Look What You've Done (Norsk, 1994)
- Lars Danielsson, Melange Bleu (ACT, 2006)
- Rick Danko, Ridin' On the Blinds (Grappa, 1994)
- Di Derre, Gym (Sonet, 1996)
- Dollie de Luxe, Which Witch (Notabene, 1987)
- Lisa Dillan, Change of Habit (Kirkelig Kulturverksted, 2015)
- Jon Eberson, Thirteen Rounds (Curling Legs, 1997)
- Jon Eberson, Dreams That Went Astray (EmArcy/Jazzland, 2001)
- Torun Eriksen, Glittercard (Jazzland/Universal, 2004)
- Torun Eriksen, Prayers & Observations (Jazzland, 2005)
- Jan Garbarek, I Took Up the Runes (ECM, 1990)
- Jan Garbarek, Rites (ECM, 1998)
- Gilberto Gil, O Sol De Oslo (Blue Jackel, 1998)
- Gitarkameratene, Typisk Norsk (Grappa, 2010)
- Dennis Gonzalez, Welcome to Us (GOWI 1994)
- Aslak Hartberg, The Dancer (Oslo, 2013)
- Jorn Hoel, Kjaerlighetens Teater (Polydor, 1991)
- Bendik Hofseth, Planets, Rivers and...Ikea (Verve Forecast, 1996)
- Tore Johansen, Earth Stills (Inner Ear, 2015)
- Joyce, Just a Little Bit Crazy (Far Out, 2003)
- Eero Koivistoinen, Altered Things (Timeless, 1992)
- Audun Kleive, Bitt (Jazzland/EmArcy,)
- Hanne Krogh, Hanne (Sonet, 1989)
- Michael Krohn, Sovnlose Netter (Drabant Music, 2018)
- Eva Kruse, In Water (Redhorn, 2014)
- Ola Kvernberg, Night//Driver (Jazzland, 2006)
- Nils Landgren, Christmas With My Friends (ACT, 2007)
- Lava, The Rhythm of Love (Mercury, 1990)
- Lars Lillo-Stenberg, Oslo, (Sonet, 2000)
- Susanne Lundeng, Mot (Kirkelig Kulturverksted, 2011)
- Mike Mainieri, Northern Lights (NYC, 2006)
- Marilyn Mazur, Circular Chant (Storyville, 1995)
- Marlui Miranda, 2 IHU Kewere: Rezar (ACT, 1997)
- Nils Petter Molvaer, Remakes (Par/Sula, 2005)
- The Monroes, Long Way Home (EMI/BMG, 1993)
- Mungolian Jet Set, Beauty Came to Us in Stone (Jazzland, 2006)
- Caecilie Norby, Arabesque (ACT, 2010)
- Ost & Kjex, Cajun Lunch (Diynamic Music, 2010)
- Ost & Kjex, Freedom Wig (Diynamic Music, 2015)
- Anne Grete Preus, Millimeter (WEA, 1994)
- Malika Makouf Rasmussen, Cairo (Rapid 2006)
- radio.string.quartet.vienna, In Between Silence (Jazzland, 2017)
- Terje Rypdal, Vossabrygg (ECM, 2006)
- Kjetil Saunes, Lystyv (Norsk, 1993)
- Henrik Schwarz, Scripted Orkestra (7k!, 2018)
- Henrik Schwarz, In Spite of Everything (Sunday Music/Between Buttons, 2020)
- Tim Scott, Everywhere I've Been (Waterfall, 1996)
- Kenneth Sivertsen, Remembering North (NORCD 1993)
- Solveig Slettahjell, Jazz at Berlin Philharmonic I Norwegian Woods (ACT, 2014)
- Olav Stedje, Ei Gave Til Deg (Slager, 1990)
- Torbjorn Sunde, Meridians (ACT, 1998)
- Prins Thomas, Ambitions (Smalltown Supersound, 2019)
- Prins Thomas, Bugge Wesseltoft Versions (Horisontal Mambo, 2016)
- Knut Vaernes, Roneo (Curling Legs, 1993)
- Knut Vaernes, Jacques Tati (Curling Legs, 1995)
- Paolo Vinaccia, Very Much Alive (Jazzland, 2010)
- Bengt-Arne Wallin, The Birth and Re-Birth of Swedish Folk Jazz (ACT, 1998)
- Wax Poetic, On a Ride (Nublu, 2012)
- Jens Wendelboe, Big Crazy Energy Band Vol. 2 (NOPA/NRK, 1994)
- Erik Wesseltoft, Con Amor (Normann, 2004)
- Erik Wesseltoft, To Someone I Knew (Normann, 2013)
- Unni Wilhelmsen, Definitely Me (Mercury, 1997)
- Unni Wilhelmsen, To Whom It May Concern (Mercury, 1996)
- Dhafer Youssef, Digital Prophecy (Justin Time/(Enja, 2003)
- Bertine Zetlitz, Morbid Latenight Show (Parlophone, 1998)
See also
References
- ^ a b c Halvorsen, Tore (13 February 2009). "Bugge Wesseltoft Extended Biography". Norsk Biografisk Leksikon (in Norwegian). Kunnskapsforlaget. Retrieved 8 October 2013.
- ^ a b Kelman, John (4 March 2009). "Bugge Wesseltoft: New Conception of Jazz Box Review". All About Jazz. Retrieved 8 October 2013.
- ^ Kelman, John (13 December 2013). "John Kelman's Best Live Shows of 2013". All About Jazz. Retrieved 14 December 2013.
External links
- Bugge Wesseltoft – official site
- Bugge Wesseltoft biography at Jazzland Recordings
- Bugge Wesseltoft – fan site
- Bugge Wesseltoft at AllMusic
- Bugge Wesseltoft discography at Discogs
- Bugge Wesseltoft on Gube Music
- Bugge Wesseltoft & Henrik Schwarz – RBMA lecture