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{{short description|American cartoonist}} |
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{{Infobox person |
{{Infobox person |
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| name = Garrett Price |
| name = Garrett Price |
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==''The New Yorker''== |
==''The New Yorker''== |
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Price worked for over half a century for ''The New Yorker'', drawing hundreds of cartoons and 100 covers, including two in 1925, the monthly magazine's first year (" |
[[File:TheNewYorker1Aug1925.jpg|thumb|right|Price's first cover for ''The New Yorker'' (August 1, 1925)]] |
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Price worked for over half a century for ''The New Yorker'', drawing hundreds of cartoons and 100 covers, including two in 1925, the monthly magazine's first year ("Heat Wave", August 1, and "Paris Café", August 29).<ref name="PowersIndians"/> |
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[[Thomas Powers]] describes the Price covers in later decades as sometimes possessing "a stunning, wistful beauty", flagging, in particular, "a 1956 cover of circus queens riding elephants into the ring, a 1949 cover of a boy all alone on a spring ball field sliding into home plate, and a 1951 cover of autumn leaves falling over a summer house being closed for the winter—a husband sits waiting in the car as his wife gathers a last armful of flowers."<ref name="PowersIndians"/> His last cover appeared in the summer of 1973, the year his wife died.<ref name="PowersIndians"/> |
[[Thomas Powers]] describes the Price covers in later decades as sometimes possessing "a stunning, wistful beauty", flagging, in particular, "a 1956 cover of circus queens riding elephants into the ring, a 1949 cover of a boy all alone on a spring ball field sliding into home plate, and a 1951 cover of autumn leaves falling over a summer house being closed for the winter—a husband sits waiting in the car as his wife gathers a last armful of flowers."<ref name="PowersIndians"/> His last cover appeared in the summer of 1973, the year his wife died.<ref name="PowersIndians"/> |
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''Drawing Room Only'' (1946) is a collection of Price's work, principally featuring ''New Yorker'' cartoons.<ref name="PowersIndians"/> |
''Drawing Room Only'' (1946) is a collection of Price's work, principally featuring ''New Yorker'' cartoons.<ref name="PowersIndians"/> |
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In 2016 Sunday Press Books published Price's ''Chicago Tribune'' comic strip as a book entitled ''White Boy in Skull Valley.'' The strip, which began in the fall of 1933 and was called ''White Boy,'' featured a skinny white boy captured and adopted by an Indian tribe unfamiliar with modern culture and technology. The love interest was an intrepid girl named Starlight but called "Little Squaw" who was described by [[Thomas Powers]] in his 2016 essay on Price in ''[[The New York Review of Books]]'' as having "kissable lips of the Clara Bow sort" and "White Boy’s full attention". About halfway thorough its 3-year life of about 150 issues, the strip shifted into a more contemporary if still mythical West, the characters lost their distinctively Indian customs and dress, the strip was renamed ''Skull Valley,'' and "Little Squaw" renamed Doris, now wearing jodhpurs and boots.<ref name="PowersIndians"/> |
In 2016 [[Sunday Press Books]] published Price's ''Chicago Tribune'' comic strip as a book entitled ''White Boy in Skull Valley.'' The strip, which began in the fall of 1933 and was called ''White Boy,'' featured a skinny white boy captured and adopted by an Indian tribe unfamiliar with modern culture and technology. The love interest was an intrepid girl named Starlight but called "Little Squaw" who was described by [[Thomas Powers]] in his 2016 essay on Price in ''[[The New York Review of Books]]'' as having "kissable lips of the Clara Bow sort" and "White Boy’s full attention". About halfway thorough its 3-year life of about 150 issues, the strip shifted into a more contemporary if still mythical West, the characters lost their distinctively Indian customs and dress, the strip was renamed ''Skull Valley,'' and "Little Squaw" renamed Doris, now wearing jodhpurs and boots.<ref name="PowersIndians"/> |
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==Books illustrated== |
==Books illustrated== |
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*Husbands Are Difficult or The Book of Oliver Ames (1941) by Phyllis McGinley |
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*''[[While Mrs. Coverlet Was Away]]'' (1958) by [[Mary Nash (author)|Mary Nash]] |
*''[[While Mrs. Coverlet Was Away]]'' (1958) by [[Mary Nash (author)|Mary Nash]] |
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*''[[Mrs. Coverlet's Magicians]]'' (1960) by Mary Nash |
*''[[Mrs. Coverlet's Magicians]]'' (1960) by Mary Nash |
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==External links== |
==External links== |
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* {{LCAuth|n50027482|Garrett Price|14|}} |
* {{LCAuth|n50027482|Garrett Price|14|}} |
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{{commons category-inline|Garrett Price}} |
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{{authority control}} |
{{authority control}} |
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[[Category:American cartoonists]] |
[[Category:American cartoonists]] |
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[[Category:American comics artists]] |
[[Category:American comics artists]] |
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[[Category: |
[[Category:United States Navy personnel of World War I]] |
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[[Category: |
[[Category:Chicago Tribune people]] |
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[[Category:Esquire (magazine) people]] |
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[[Category:People from Saratoga, Wyoming]] |
[[Category:People from Saratoga, Wyoming]] |
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[[Category:School of the Art Institute of Chicago alumni]] |
[[Category:School of the Art Institute of Chicago alumni]] |
Revision as of 00:48, 7 January 2024
Garrett Price | |
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Born | William Garrett Price November 21, 1896 |
Died | April 8, 1979 Norwalk, Connecticut, U.S. | (aged 82)
Nationality | American |
Occupation(s) | Cartoonist and illustrator |
Spouse |
Florence Semler
(m. 1928; died 1973) |
William Garrett Price (November 21, 1896 – April 8, 1979) was an American artist, cartoonist and illustrator. He is remembered for cartoons and cover illustrations in The New Yorker and for children's book illustrations.
Early life and education
Born in Bucyrus, Kansas,[1] Price was reared on a farm in Saratoga, Wyoming, the son of a horse-and-buggy doctor.[2] He began sketching animals and people as a boy, and attended the University of Wyoming.[2] The University library holds a collection of his work.[2] He went on to study art at the Art Institute of Chicago where he became friends with fellow New Yorker cartoonists Perry Barlow, Alice Harvey and Helen E. Hokinson.[2]
Price married Florence Semler (died 1973) of Latrobe, Pennsylvania.[3][2] They lived in Westport, Connecticut and had a summer home on Mason's Island at the mouth of the Mystic River, in Stonington, Connecticut where their friend, the artist Herbert Stoops, also summered.[2]
Career
Price's first job was as a reporter-cartoonist for The Kansas City Star, he went on to draw illustrations and a full-page comic strip for the Chicago Tribune.[2] He served in World War I as a contributing artist for Navy publications.[2]
The New Yorker
![](https://upload.wikimedia.org/wikipedia/commons/thumb/6/61/TheNewYorker1Aug1925.jpg/220px-TheNewYorker1Aug1925.jpg)
Price worked for over half a century for The New Yorker, drawing hundreds of cartoons and 100 covers, including two in 1925, the monthly magazine's first year ("Heat Wave", August 1, and "Paris Café", August 29).[3]
Thomas Powers describes the Price covers in later decades as sometimes possessing "a stunning, wistful beauty", flagging, in particular, "a 1956 cover of circus queens riding elephants into the ring, a 1949 cover of a boy all alone on a spring ball field sliding into home plate, and a 1951 cover of autumn leaves falling over a summer house being closed for the winter—a husband sits waiting in the car as his wife gathers a last armful of flowers."[3] His last cover appeared in the summer of 1973, the year his wife died.[3]
Books
Drawing Room Only (1946) is a collection of Price's work, principally featuring New Yorker cartoons.[3]
In 2016 Sunday Press Books published Price's Chicago Tribune comic strip as a book entitled White Boy in Skull Valley. The strip, which began in the fall of 1933 and was called White Boy, featured a skinny white boy captured and adopted by an Indian tribe unfamiliar with modern culture and technology. The love interest was an intrepid girl named Starlight but called "Little Squaw" who was described by Thomas Powers in his 2016 essay on Price in The New York Review of Books as having "kissable lips of the Clara Bow sort" and "White Boy’s full attention". About halfway thorough its 3-year life of about 150 issues, the strip shifted into a more contemporary if still mythical West, the characters lost their distinctively Indian customs and dress, the strip was renamed Skull Valley, and "Little Squaw" renamed Doris, now wearing jodhpurs and boots.[3]
Books illustrated
- Husbands Are Difficult or The Book of Oliver Ames (1941) by Phyllis McGinley
- While Mrs. Coverlet Was Away (1958) by Mary Nash
- Mrs. Coverlet's Magicians (1960) by Mary Nash
- Mrs. Coverlet's Detectives (1965) by Mary Nash
- The Finer Things of Life (1951) by Frances Gray Patton (Dodd, Mead and Company)
- Good Morning, Miss Dove (1954) by Frances Gray Patton (Dodd, Mead)
References
- ^ Jay, Alex (February 16, 2016). "Ink-Slinger Profiles by Alex Jay: Garrett Price". Stripper's Guide. Retrieved August 24, 2019.
- ^ a b c d e f g h Cook, Joan (April 10, 1979). "Garrett Price, Artist, 82, Dead; Did Covers for The New Yorker". The New York Times. Retrieved 2017-06-03.
- ^ a b c d e f Powers, Thomas (January 12, 2016). "Girls and Indians". The New York Review of Books. Retrieved 2017-06-03.
External links
- Garrett Price at Library of Congress, with 14 library catalog records
Media related to Garrett Price at Wikimedia Commons