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Felix discovers that Alys had a [[lesbian]] affair with Heather Hart, another elite "Six" (and one of Jason's ex-lovers). KR-3 caused her brain to become "unbound" from her own alternate reality, so she could perceive and interact with those of an adjacent world, where Jason Taverner did not exist. She fixated on Taverner due to her appreciation of his musical talent. Jason surrenders himself to the police, so that he can be cleared of Alys' death, which duly occurs. Heartbroken, Felix then travels to the countryside to mourn the loss of his sister and lover. |
Felix discovers that Alys had a [[lesbian]] affair with Heather Hart, another elite "Six" (and one of Jason's ex-lovers). KR-3 caused her brain to become "unbound" from her own alternate reality, so she could perceive and interact with those of an adjacent world, where Jason Taverner did not exist. She fixated on Taverner due to her appreciation of his musical talent. Jason surrenders himself to the police, so that he can be cleared of Alys' death, which duly occurs. Heartbroken, Felix then travels to the countryside to mourn the loss of his sister and lover. |
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In an epilogue, the final fates of the prior characters are disclosed. Felix Buckman dies in the line of duty. His son Barney becomes a police officer as well, but is invalidated out of the service, and becomes an [[antiques]] [[collector]]. Jason Taverner dies of old age after a lifetime of [[hedonism]], while Heather Hart abandons her celebrity career, and becomes a recluse. As a result of her association with Taverner, Mary Anne Dominic's [[pottery]] become much sought-after luxury goods, earning her a fortune. Ultimately, the former revolutionary students return to normal existence, the detention camps |
In an epilogue, the final fates of the prior characters are disclosed. Felix Buckman dies in the line of duty. His son Barney becomes a police officer as well, but is invalidated out of the service, and becomes an [[antiques]] [[collector]]. Jason Taverner dies of old age after a lifetime of [[hedonism]], while Heather Hart abandons her celebrity career, and becomes a recluse. As a result of her association with Taverner, Mary Anne Dominic's [[pottery]] become much sought-after luxury goods, earning her a fortune. Ultimately, the former revolutionary students return to normal existence, the detention camps are closed down, and the police-state government itself is abolished in [[2146]] CE. |
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For Dick, such a decisive [[narrative]] resolution is unusual in his extended fiction. His novels usually end ambiguously for the central characters. |
For Dick, such a decisive [[narrative]] resolution is unusual in his extended fiction. His novels usually end ambiguously for the central characters. |
Revision as of 23:29, 27 December 2007
![]() Cover of first edition (hardcover) | |
Author | Philip K. Dick |
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Language | English |
Genre | Science fiction novel |
Publisher | Doubleday |
Publication date | 1974 |
Publication place | ![]() |
Media type | Print (Hardcover & Paperback) |
Pages | 231 pp |
ISBN | ISBN 0-783-89583-6 Parameter error in {{ISBNT}}: invalid character |
Flow My Tears, The Policeman Said is a 1974 science fiction novel by Philip K. Dick about Jason Taverner, a genetically enhanced pop singer and television star who loses his identity overnight. The story is set in a dystopian version of the year 1988, in which America has become a police state in order to deal with a Second Civil War. The novel was awarded first prize in the John W. Campbell Awards for the best science fiction novel of the year in 1975. It was also nominated for a Nebula Award in 1974 and a Hugo Award in 1975.
Soon after writing this book, Dick said he experienced a series of strange coincidences in his own life. He wrote about this in the essay How to Build a Universe that Doesn't Fall Apart Two Days Later, included as the introduction to his short story collection I Hope I Shall Arrive Soon. He would later expand these experiences into one of his later novels, Valis(1981).
Plot summary
The novel is set in a dystopian future United States, albeit one which is entering a post-totalitarian era with prospects of future democratic reform. Set in a then-future 1988, it extrapolates events from the late sixties and early seventies. These culminated in a "Second Civil War", also called the "Insurrection" which led to the collapse of democratic institutions in the United States and elsewhere. The National Guard ("nats") and US police force re-established social order through instituting a dictatorship, with a "Director" at the apex, and police marshals and generals as operational commanders in the field. Forced sterilisation of African Americans has sharply reduced their population, and increased their social status. By comparison, radicalised former university students eke out a desperate existence in subterranean kibbutz communes. However, there appears to be no social barriers to the use of recreational drugs in this future, nor are some forms of paedophilia a crime.
After his former lover throws a Callisto-based parasite lifeform at him, celebrity entertainer Jason Taverner wakes up one morning to find himself a complete unknown. He has no identification, there is no record of him in the extensive databases of the police government, and neither his friends nor do his former fans have any memory of him. As an ex-celebrity and an ex-citizen, he has real problems. These are exacerbated for him as a "Six", a highly rated stratum of covert genetic engineering of humans that apparently began in the 1940s (although why this occurred, and who instigated this process, are left unclear).
Taverner's story is intertwined with those of Police General Felix Buckman and his hypersexual sister Alys Buckman, who has an incestuous relationship with him, but otherwise seems to be lesbian. They have a son born of their union, Barney. After police surveillance detects his lack of identification, Felix interrogates him, but then is forced to let him go, whereupon Alys invites him to stay at her apartment.
Alys is a heavy user of recreational drugs, including KR-3, a new reality warping variety. Initially, she also appears to be the only person left who recognizes Jason Taverner. However, the drug has a devastating metabolic side effect. After Jason takes mescaline himself, he is horrified to find Alys' skeleton and leaves her home, before meeting Mary Ann Dominic, a potter. As they discuss his recent experiences in a cafe, Taverner's existence returns to normal as the effects of the KR-3 that Alys took finally wear off posthumously.
Felix discovers that Alys had a lesbian affair with Heather Hart, another elite "Six" (and one of Jason's ex-lovers). KR-3 caused her brain to become "unbound" from her own alternate reality, so she could perceive and interact with those of an adjacent world, where Jason Taverner did not exist. She fixated on Taverner due to her appreciation of his musical talent. Jason surrenders himself to the police, so that he can be cleared of Alys' death, which duly occurs. Heartbroken, Felix then travels to the countryside to mourn the loss of his sister and lover.
In an epilogue, the final fates of the prior characters are disclosed. Felix Buckman dies in the line of duty. His son Barney becomes a police officer as well, but is invalidated out of the service, and becomes an antiques collector. Jason Taverner dies of old age after a lifetime of hedonism, while Heather Hart abandons her celebrity career, and becomes a recluse. As a result of her association with Taverner, Mary Anne Dominic's pottery become much sought-after luxury goods, earning her a fortune. Ultimately, the former revolutionary students return to normal existence, the detention camps are closed down, and the police-state government itself is abolished in 2146 CE.
For Dick, such a decisive narrative resolution is unusual in his extended fiction. His novels usually end ambiguously for the central characters.
The themes of celebrity, genetic enhancement, altered reality, and drugs are interwoven with discussion of the value of love and the meaning of identity.
Origin of title
The title is a reference to Flow my tears, a piece by the 16th century composer John Dowland, setting to music a poem by an anonymous author (possibly Dowland himself). The poem begins:
- Flow, my tears, fall from your springs,
- Exiled for ever, let me mourn
- Where night's black bird her sad infamy sings,
- There let me live forlorn.
Flow My Tears, The Policeman Said in popular culture
- Gary Numan, in his song "Listen to the Sirens" (from his band's self-titled debut album Tubeway Army), clearly makes a reference to the novel with the opening lyrics, "Flow my tears, the new police song".
- The band Liars have a song called "Flow My Tears the Spider Said" on their album They Were Wrong, So We Drowned.
- The bassist Stuart Hamm recorded a song called Flow My Tears on his first solo album Radio Free Albemuth (also the name of a Dick's novel).
- The New Jersey grindcore group Discordance Axis based their song of the same name (from their second LP, Jouhou) on Dick's novel.
- There is a discussion of the book as well as Dick's later essay How to Build a Universe that Doesn't Fall Apart Two Days Later near the end of Richard Linklater's Waking Life.
- Subway to Sally included the song in their song "Syrah".
- Built to Spill has a song "Nowhere Nothin' Fuckup" on the album Ultimate Alternative Wavers, the same title as Jason Taverner's song in the novel.
- In the film Southland Tales, the character Bart Bookman (played by Jon Lovitz) is a policeman who states, "Flow my tears" after killing an unarmed couple (played by Wood Harris and Amy Poehler). Additionally, two characters in the film have the surname "Taverner;" Roland Taverner is familiar with the work, as is the character Pilot Abeline. The two served in Iraq together, as detailed in the graphic novel prelude saga.
Stage version
Mabou Mines presented the world premiere of their adaptation of Flow My Tears, the Policeman Said at the Boston Shakespeare Theatre from June 18-30, 1985. The play received mixed reviews and a lot of attention from the Boston media. Linda Hartinian, a personal friend of PKD's, adapted the novel to the stage and designed the set (she also played Mary Ann Dominick, and read Phil's 1981 "Tagore Letter" at the end of the play).
The Boston Phoenix quotes Hartinian on the subject in an interview before the play opened: "He was someone I admired and looked up to, and I knew he had always wanted one of his works to be adapted. One day when I came to visit him he jumped up and grabbed this manuscript and said 'I want to give you something, but I don't have anything, so I'm going to give you this manuscript, and someday its gonna be worth a lot of money.'" The Phoenix continues, "It was a draft of Flow My Tears, and as Hartinian discovered when she sat down to adapt the book, it contained many passages that had been cut from the published text, including a discussion of ways to remember deceased writers that was to prove prescient. Naturally Hartinian based her script on her private edition."
The play was directed by Bill Raymond, Hartinian's husband. "It was in response to Linda's loss that we chose Tears," he told the Phoenix, "because Flow My Tears is in fact a novel about grief, and not necessarily just about loss of identity." The play has been performed by Mabou Mines in Boston and New York and by the Prop Theatre in Chicago. It was published by the Dramatic Publishing Company of Woodstock, Illinois, which also leases stock and amateur acting rights to the play.[1]
Film version
In February 1, 2004, Variety announced that Utopia Pictures & Television had acquired the rights to produce three of Philip K. Dick's works: Flow My Tears, The Policeman Said, VALIS and Radio Free Albemuth.[2]
References
- ^ "FLOW MY TEARS". PhilipKDickFans.com. Retrieved 2007-02-09.
- ^ "Variety.com - Utopia picks Dick works". Variety.com. 2004-02-01. Retrieved 2006-08-14.
{{cite web}}
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- Philip K. Dick, Flow My Tears, the Policeman Said, ISBN 0-679-74066-X
External links
- Summary at official PKD website
- Flow My Tears, the Policeman Said cover art gallery
- Flow My Tears, the Policeman Said reviewed at The Open Critic