Cuba has a single-party authoritarian regime where political opposition is not permitted. There are elections in Cuba, but they are not considered democratic. Censorship of information (including limits to internet access) is extensive, and independent journalism is repressed in Cuba; Reporters Without Borders has characterized Cuba as one of the worst countries in the world for press freedom. (Full article...)
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.
Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Europe. Examples include rhumba, Afro-Cuban jazz, salsa, soukous, many West African re-adaptations of Afro-Cuban music (Orchestra Baobab, Africando), Spanish fusion genres (notably with flamenco), and a wide variety of genres in Latin America. (Full article...)
Image 18A 1736 colonial map by Herman Moll of the West Indies and Mexico, together comprising "New Spain", with Cuba visible in the center. (from History of Cuba)
Image 19Public transportation in Cuba during the "Special Period" (from History of Cuba)
Image 22Capablanca playing chess with his father José María Capablanca in 1892 (from Culture of Cuba)
Image 23Rebel leaders engaged in extensive propaganda to get the U.S. to intervene, as shown in this cartoon in an American magazine. Columbia (the American people) reaches out to help oppressed Cuba in 1897 while Uncle Sam (the U.S. government) is blind to the crisis and will not use its powerful guns to help. Judge magazine, 6 February 1897. (from History of Cuba)
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The Kingdom of This World (Spanish: El reino de este mundo) is a novel by Cuban author Alejo Carpentier, published in 1949 in his native Spanish and first translated into English in 1957. A work of historical fiction, it tells the story of Haiti before, during, and after the Haitian Revolution led by Toussaint Louverture, as seen by its central character, Ti Noel, who serves as the novel's connecting thread. Carpentier's work has been influenced by his multi-cultural experience and his passion for the arts, as well as by authors such as Miguel de Cervantes. The novel stems from the author's desire to retrace the roots and history of the New World, and is embedded with what Carpentier calls "lo real maravilloso" or "the marvelous real"—a concept he introduced to the world of literature (not to be confused with magical realism).
Throughout the novel, varying perceptions of reality that arise due to cultural differences between its characters are emphasized and contrasted. Carpentier explores hybridization, nature, voodoo, ethnicity, history and destiny, confusion, violence, and sexuality in a style that blends history with fiction and uses repetition to emphasize the cyclical nature of events. The novel was largely well-received with much attention paid to Carpentier's inclusion of magic realism and The Kingdom of This World has been described as an important work in the development of this genre in Caribbean and Latin American literature. However, some technical aspects of his style have been ignored by the academic community, and the novel's narrative organization has been criticized. (Full article...)
He is widely considered Cuba's best folk singer and arguably one of Latin America's greatest singer-songwriters. Known for his intellectual, highly eloquent and symbolic lyrics, his songs are iconic elements of Latin American left-leaning intellectual culture. Many of his songs have become classics in Latin American music, such as "Ojalá", "Playa Girón", "Unicornio", "Sueño con Serpientes", "Vamos a andar," and "La maza". Among his other well-known songs are political anthems like "Fusil contra fusil" and "Canción del Elegido", and poetic melodies like "A donde van" and "Noche sin fin y mar". He has released over 20 albums. (Full article...)
...that Carlos Manuel de Céspedes(pictured) is known as Padre de la Patria, (English:Father of the Homeland) in Cuba, having declared the nation's independence from Spain in 1868?
I began singing ‘Dos gardenias’ (by Isolina Carrillo) and Ry Cooder recorded it. It was that way that I joined, without being in the project, because I was not part of the Buenavista (Social Club) project. I recorded four songs. Afterwards, came the tours, the Grammy. I did not know what the Grammy was, and I was told it is an award. I liked it a lot. I am still here, singing, and I will continue to sing as long as I have strength.
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